|
Unpublished Fine and Humorous Art by George Adamson (not complete, also excludes Etchings and War Artist work) |
| Description/caption/ | Date | Size | Nature |
|---|
| Violin |
1931 |
quarter imperial |
pencil, signed |
| Self-Portrait |
1934 |
small |
pen & wash, signed |
| Birthday card for Peg’s nineteenth birthday. |
1936 |
small |
pen, signed George |
The Cathedral of Christ the King, Liverpool, under Construction
(exhibited at the Royal Academy in 1940, no. 1212) |
1939 |
medium |
pen and wash, signed |
| Feeling the Pinch (a scene at a prosperous printer’s) |
c. 1940 |
medium |
pen and wash, signed |
| Peter at Four Months (a portrait of the artist’s elder son) |
1947 |
medium |
chalk on paper, signed |
| Sketch book containing many reference drawings and family portraits |
1947-53 |
various |
ink |
| Steam Train (a birthday card for John) |
1952 |
small |
ink on paper |
| The Lime Kiln at Lower Weir |
1953 |
medium |
chalk on paper, signed |
| The Birthday Cake Peg in kitchen with birthday cake for John’s fourth? birthday |
1953 |
large |
gouache on board, signed |
| Peter and John (a portrait of the artist’s two sons) |
16-20th August, 1954 |
large |
gouache on paper, signed |
| The Steam Roller (a birthday card for John when he was six) |
1955 |
small |
gouache on board |
| Mr Coles’ Hen Run, Mill Lane, Countess Weir |
1956-7/extended 1979 |
medium |
gouache on paper, signed |
| Figure of seven with bees (a birthday card for John) |
1956 |
small |
Indian ink and gouache on paper |
A Good Dragon Eating His Soup
(a birthday card for John) |
1957 |
small |
pen & wash on Bristol board |
| Piazza San Bernardo, Rome |
1963 |
medium |
pen & wash, signed |
| John on Orkney archaeological dig with puffin post (a birthday card for John) |
1970 |
small |
pen & wash on Bristol board |
Le Logis, La Boissière du Doré
[La Boissiere du Dore] |
1971 |
small |
gouache on paper, signed |
| Hélène Saint-Maur (head and shoulder portrait) [Helene Saint-Maur] |
1971 |
small |
gouache on coloured paper |
|
Peter (a portrait of the artist’s elder son at 27) |
1974 |
medium |
oil on hardboard |
|
Peggy (portrait of the artist’s wife seated, holding the New Yorker and with crossword puzzle beside her) |
1984 |
small |
oil on board, signed |
| Frogs in Central Park |
1985 |
small |
gouache and collage, signed and dedicated to Massimo |
| Private Eye 25th Anniversary Birthday Cake |
1986 |
large |
gouache on paper, signed and dedicated to the staff at Private Eye |
| Ennui, pastiche after Walter Richard Sickert’s painting (The Three Dealers project) |
1986? |
small |
gouache on paper |
| Cafe con leche caliente, pastiche after Goya’s etchings (The Three Dealers project) |
1986? |
small |
gouache on paper |
